Printmaking is an art form rich in possibilities, and Anne-Marie Boisvert explores its subtleties through two main techniques: collagraphy and drypoint . These processes, as fascinating as they are varied, allow for the creation of works that are textured, expressive, and unique.
Collagraphy: textures in relief
Collagraphy is a printmaking technique that relies on layering textured media, glues, fabrics, cardboard, or various objects onto a rigid support called a matrix. Once this matrix is textured, it is inked and pressed with a sheet of paper. The result is an image that reproduces both the textures and the inking of the matrix: a process that leaves plenty of room for experimentation and surprise.
Drypoint: precision and engraving
Drypoint refers to both a tool and an intaglio engraving technique. It involves directly engraving a matrix (often metal, cardboard or plastic such as tetrapak) using a pointed tool. This can be made of metal, steel, diamond or even tungsten carbide.
Some artists use a precision exacto to create their designs. Once engraved, the die is inked and then cleaned of its surface, leaving the ink only in the hollows. The press then transfers the image to the paper, revealing the finely engraved details of the design.
Craft paper: a medium that meets the needs
Anne-Marie also pays particular attention to the paper used for her prints. She favors papers made from cotton fibers, often 100% cotton, sometimes handcrafted. She also collects plant fibers and other plant materials to create her own papers, adding an eco-responsible and creative dimension to her practice.
Curious to learn more about his world?
Anne-Marie shares her discoveries, techniques and thoughts on her website:
👉 https://art.annemarieboisvert.com