Printmaking is an art form rich in possibilities, and Anne-Marie Boisvert explores its subtleties through two main techniques: collagraphy and drypoint. These processes, as fascinating as they are varied, allow her to create works that are textured, expressive, and unique.
Collagraphy: textured relief
Collagraphy (or collagraph in English) is a printmaking technique based on layering textured mediums, glues, fabrics, cardboard, or various objects on a rigid support called a matrix. Once this matrix is textured, it is inked and passed through a press with a sheet of paper. The result is an image that reproduces both the textures and the inking of the matrix: a process that leaves plenty of room for experimentation and surprise.
Drypoint: precision and engraving
Drypoint (drypoint) refers to both a tool and an intaglio engraving technique. It consists of engraving directly into a matrix (often metal, cardboard, or plastic such as Tetrapak) using a pointed tool. This tool can be made of metal, steel, diamond, or tungsten carbide.
Some artists use a precision X-Acto knife to create their designs. Once engraved, the matrix is inked, then cleaned on its surface, leaving ink only in the grooves. The press then transfers the image onto the paper, revealing the fine details of the engraved design.
Handmade paper: a worthy support
Anne-Marie also pays particular attention to the paper used for her prints. She favors papers made from cotton fibers, often 100% cotton, and sometimes handmade. She also collects plant fibers and other plant-based materials to create her own papers, adding an eco-responsible and creative dimension to her practice.
Curious to learn more about her world?
Anne-Marie shares her discoveries, techniques, and reflections on her website:
👉 www.annemarieboisvert.com